Friday, June 26, 2009

On the play trail, again

We've been keeping up our theater-going escapades lately, with three very different shows in three very different venues but each of them chiefly light-hearted and good for a chuckle.

We started by taking in the opening night of "You're A Good Man, Charlie Brown," the musical, performed quite ably by six young actors on the Kernersville Elementary School stage. Kernersville Little Theatre normally does a musical in June each year, and this was one of the best I have seen (and we've seen most of them since 1990 or so). The show used only one keyboard (on-stage) and the six performers in great costumes to represent their respective "Peanuts" comic strip characters. It was a lot of fun to watch, and pretty much glitch-less on the technical side as well.

The very next night we were off to sit in "our seats" at Triad Stage in Greensboro, for their updated and shortened version of Moliere's "Tartuffe." It was not a show or story I was familiar with, but the tale of hypocrisy and fraud in the name of religion certainly had its moments. I found it to be just a slight bit over-the-top in some of the posturing, with the understanding that it was, after all, period comedy updated. All in all, still an entertaining stop in the theater.

Finally, we caught Winston-Salem Theatre Alliance's very fun second run of Del Shores' "Sordid Lives," which included fave area actors Cheryl Roberts and Ken Ashford along with others in the long-and-narrow theater space the Alliance now uses. We also caught up with Mikey Wiseman, who was helping backstage, in town from his extended run in Fort Myers with "Church Basement Ladies." He's about to go back out, on tour this time, as the understudy to William Christopher (who played the Chaplain in the TV version of "M*A*S*H"). Busy man!

Meanwhile, I came back from Spoleto with an idea for a 10-minute script, and I'm getting closer to finalizing that one. Another script is on its way to yet another competition, so at least the playwriting is not entirely moribund.

Soon, we're off to see 12 different ten minute plays being done, so more about that soon.

Tuesday, June 2, 2009

Wrapping up this year's Spoleto

The rest of our slightly shorter visit to Spoleto this year had the stronger offerings, in our opinion. We enjoyed The Reckoning, a Chicago-based long-form improv group, in their show at Theatre 99, one of our usual stops for Piccolo Spoleto events.

We also took in "Don John," at the Memminger (a recently renovated space where Andy worked the last several years, this year as Master Electrician). This was presented by the Kneehigh Theatre group from Cornwall (England). They were at Spoleto three years ago, doing an astonishingly entertaining telling of the "Tristan and Iseult" tale (which is set in Cornwall and Ireland). This play was an updated interpretation of the Don Juan/Don Giovanni story, set (sort of) in a carnival. The set ideas, lighting and sound were all fascinating, and so was most of the play -- though I have to compare, and "Tristan" wins for overall achievement. Nevertheless, these people are chock-full of ideas, even if some of them don't always hit home.

Our final show before taking off for home was a one-man (well, there was also a musician who pitched in now and then) presentation by a gent from Wales, which chiefly reflected on his experience when his father passed away, and connected (in the theme of death) to a time when he "babysat" a rabbit for neighbors -- and the rabbit promptly passed away. Though a reviewer for the main newspaper in Charleston ripped it apart, I felt it certainly had its moments and some effective times. Maybe not the greatest thing ever, but good. If only the family with the three year old hadn't crazily decided this was something they should do together ....

Anyway, as always, some interesting times and experiences at a great Festival.